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The Remains of the Day

Description
Set during the 1930s, the film follows James Stevens (Anthony Hopkins), a proper English butler to the doltish Lord Darlington, who sacrificed body and soul to service in the years leading up to World War II and later realizes too late how misguided his loyalty was to his lordly employer.
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EmanuelLevy.Com
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December 23, 2006

The narrative structure (long flashbacks, letters) is awkward but the actors (Anthony Hopkins and Emma Thompson in top form) attention to detail is meticulous and piercing considering how muted the emotions are.
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TheMovieReport.com
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December 28, 2008

Moves rather slowly, but the actors and their understated chemistry keep the film riveting, building to a climax that is absolutely heartrending.
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Time Out
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February 09, 2006

Who else but Merchant Ivory to give the big-screen treatment to Ishiguro's Booker Prize-winning novel about class, fascism and the stiff upper lip?
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Needcoffee.com

September 24, 2005

First time I saw it, it destroyed me. Subsequent viewings have not improved my condition.
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New York Times

May 20, 2003

Here's a film for adults. It's also about time to recognize that Mr. Ivory is one of our finest directors, something that critics tend to overlook because most of his films have been literary adaptations.
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Three Movie Buffs
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February 07, 2016

Just gets better with age.
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Chicago Reader
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February 11, 2008

The actors keep this interesting, but as a story it drifts and rambles.
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Film4
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February 11, 2008

Merchant-Ivory's best film by a mile.
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Rolling Stone

May 12, 2001

What do you call filmmakers who make literary entertainment box office in the age of Beavis and Butt-bead? Try miracle workers.
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TV Guide
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February 11, 2008

Though it offers a host of fine performances in a smoothly crafted, adult drama of unfulfilled love, it lacks the cumulative dramatic impact of the team's best work.
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Variety

February 11, 2008

All the meticulousness, intelligence, taste and superior acting that one expects from Merchant Ivory productions have been brought to bear.
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Chicago Sun-Times
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January 01, 2000

A subtle, thoughtful movie.
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