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Underground (1995)
CRITICS OF "Underground (1995)"
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Combustible Celluloid
Resource

April 19, 2004

It's an admirable, interesting wartime satire, but it has a vaguely distasteful feel that makes its 167 minutes a difficult slog.
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Empire Magazine
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June 18, 2012

On balance, Kusturica is sturdier on style than substance.
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Seattle Times
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September 23, 2014

A rich, vibrant, visually spectacular survey of the changes the place has gone through during the past 50 years.
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Total Film
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January 21, 2004

Whether you'll share the filmmaker's indulgence of his larger-than-life characters is questionable, but the Fellini-esque wedding feast on a floating island makes for a memorable closing sequence.
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Chicago Tribune
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September 23, 2014

Kusturica takes us from wacky farce to harrowing grief to lyrical fantasy to bloody horror. To ignore any side of Underground is to do it injustice.
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Times (UK)

March 24, 2016

Acknowledged as the Bosnian director Emir Kusturica's masterpiece, Underground is a hallucinogenic comic romp through Yugoslavia's troubled history over 50 years.
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New York Daily News
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September 23, 2014

Delirious in its excess, but never less than ferociously intelligent and operatically emotional, Underground represents one of those rare, exhilarating moments when an outsize artistic vision is fueled by an apparently unlimited budget. Not to be missed.
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F5 (Wichita, KS)

June 29, 2004

Brilliant, outrageous filmmaking. Underground is touching, hilarious, and new.
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AV Club
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September 23, 2014

Underground is a bizarre, often repellent anti-war parable that takes forever to state the obvious but hits some scattered high notes on the way.
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Filmcritic.com
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May 23, 2004

Kusturica creates memorable characters and puts them in increasingly surreal scenarios, but he's awfully long-winded in the storytelling. Trim an hour off this beast and you've got a masterpiece.
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Chicago Reader
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September 23, 2014

A triumph of mise en scene mated to a comic vision that keeps topping its own hyperbole.
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Variety
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March 26, 2009

Emir Kusturica's epic black comedy about Yugoslavia from 1941 to 1992 is a three-hour steamroller circus that leaves the viewer dazed and exhausted, but mightily impressed.
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