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Utøya: July 22 (Utøya 22. juli) [Sub: Eng]
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Utøya: July 22 (Utøya 22. juli) [Sub: Eng]

Description
A great challenge and dramatic resistance by a teenage girl struggling to survive amid the many killings and devastations in Norway. The girl is trying to find her younger sister during the July 2011 mass murder in a political summer camp on the Norwegian island of Utoya, in a story that is the most dramatic in the girl's life.
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Daily Mail (UK)
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October 26, 2018

An uncomfortable watch, without a clear moral compass.
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Backseat Mafia
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October 29, 2018

By focusing on the victims, Poppe allows the audience to empathise with them whilst reducing the murderer to just one brief silhouette.
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Variety
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February 20, 2018

"U - July 22" is designed to be as immersive as it is exhausting, and largely succeeds ...
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Dog and Wolf
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October 26, 2018

Shot on hand-held camera, strong on urgency and terror, the film is a tour de force though it flags slightly in the middle, It has your heart pounding along with the breathless fugitives'.
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Cinema em Cena
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November 27, 2018

There's no stronger argument against guns than the image of a child dead besides her phone - which rings with the calls of a mother that doesn't know her daughter can't answer anymore. [Full review in Portuguese]
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Sunday Independent (Ireland)
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October 29, 2018

While visceral in its depiction of the horror that day, it is let down by trite dialogue and one frankly cringeworthy scene.
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Salon.com
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February 20, 2018

"U - July 22" cuts through so much of the contemporary cant around gun violence, around white nationalism, around xenophobia, around the politicization of historical tragedy.
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Observer (UK)
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October 29, 2018

The characters in the film are fictionalised but based on the accounts of real survivors; fine to protect their identities, but dubious to deliberately twist the narrative to create additional sympathy.
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Sunday Times (UK)
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October 31, 2018

It's so superbly done, you're unlikely ever to want to watch it again.
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Irish Times

October 26, 2018

It's a grim, startling, and immersive experience, but without the historical rigour of Paul Greengrass's Bloody Sunday or the comforting heroics of United 93.
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indieWire
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February 20, 2018

Fortunately, the gimmick pays off more often than not.
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The Mail on Sunday (UK)
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October 29, 2018

Emotionally more powerful than Paul Greengrass's wider-ranging July 22 but, arguably, even more pointless.
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