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Valmont
CRITICS OF "Valmont"
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Empire Magazine
Resource

February 09, 2015

The anachronistic brio which distinguishes Forman's style is in pleasurable evidence, the approach to the subject is very much his own, and it's worth seeing if you forget all about the original.
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Christian Science Monitor
Resource

February 09, 2015

Directed by Milos Forman, this film is livelier, more absorbing, and generally better acted than Dangerous Liaisons, which arrived a year ago. But it runs out of inspiration long before it runs out of plot twists.
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TIME Magazine
Resource

February 09, 2015

Milos Forman and Jean-Claude Carriere, while fiddling with the plot of this deliciously nasty tale, have studiously embalmed its spirit.
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TV Guide
Resource

February 09, 2015

Valmont plays like a period sex romp, its concerns reduced to the level of who sleeps with whom and who gets dumped.
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Chicago Reader
Resource

February 09, 2015

The results are too pretty and well acted to be a total washout, but the fascination with evil and power that gives the novel intensity is virtually absent; what remains is mainly petty malice and mild cynicism.
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Philadelphia Daily News
Resource

February 09, 2015

An unqualified dud.
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Los Angeles Times
Resource

February 09, 2015

Colin Firth's Valmont is pleasant, a dreadful thing to say about one of literature's most magnetic seducers.
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Film4
Resource

February 09, 2015

Insufficiently racy in tone as well as pacing, this accomplished but bland costume drama is Dangerous Liaisons' poor cousin.
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Philadelphia Inquirer
Resource

February 09, 2015

Because there are no characters animating his panorama, all this serves to prove is that though Forman's movie is broader than Frears', it is also shallower.
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South Florida Sun-Sentinel
Resource

February 09, 2015

The effect is like an ermine violin: It is beautiful to look at, but it doesn't play.
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Chicago Tribune
Resource

February 09, 2015

Valmont is a superb piece of craftsmanship, impeccable in every detail from lighting to costuming, but as a work of art it remains tentative and blurred.
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Variety
Resource

May 20, 2008

What keeps the film interesting, if not riveting, is the generally on target casting and resulting topnotch interpretations.
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