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Vampire Clay [Sub: Eng]
Description
The action of the movie takes place to wholly around Kaori, who has been returned to Aina after studying in Tokyo, to finish her prep class for art school, where she finds an old bag of mysterious clay that they lately discover that it is belonging to an artist who owned the building and died tragically in his workshop, the students sculptures are destroyed by a bloodthirsty clay vampires.
The action of the movie takes place to wholly around Kaori, who has been returned to Aina after studying in Tokyo, to finish her prep class for art school, where she finds an old bag of mysterious clay that they lately discover that it is belonging to an artist who owned the building and died tragically in his workshop, the students sculptures are destroyed by a bloodthirsty clay vampires.
Actors:
Yuyu Makihara,
Ryô Shinoda,
Kanji Tsuda,
Ena Fujita,
Momoka Sugimoto,
Asuka Kurosawa,
Kyôka Takeda
Yuyu Makihara
Ryô Shinoda
Kanji Tsuda
27 August 1965, Fukui, Japan
Ena Fujita
Momoka Sugimoto
Asuka Kurosawa
22 December 1971, Kanagawa, Japan
Kyôka Takeda
Genre:
Horror
Director:
Sôichi Umezawa
Country:
Japan
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April 20, 2018
Monster movies are always a bit tongue-in-cheek going all the way back to the days of the guy in a rubber suit. Their goal is to make you smile and cheer when something crazy happens. In that regard, Vampire Clay succeeds.March 10, 2018
this film of eerie earthenware and earthworms-that-turn comes with enough individuality and... idiosyncrasy, to earn itself the sort of appreciation (and, no doubt from some, abhorrent rejection) that typically greets products of outsider art.September 26, 2017
The film sports practical effects that reach Brian Yuzna-esque heights of giddy absurdity, including a Claymation sequence of a teenage girl being swallowed whole by a wormlike monster as she squirms and screams.January 24, 2018
Vampire Clay isn't perfect, not by any stretch of the imagination, but it is one of the most gleefully absurd and visually engaging films I've seen this year!September 21, 2017
Umezawa's feats of stop-motion are undermined by his incoherent staging and editing, which substitute manic energy for the nuts-and-bolts of building tension and clarifying action.November 30, 2017
This schlocky Japanese horror about murderous, sentient modelling clay which creates havoc in a small provincial art school is so inept, you start to wonder if it's deliberately so.