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Videodrome (1983)
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Videodrome (1983)

Description
As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. But when he acquires a new kind of programming for his station, he begins to see his life and the future of media spin out of control in a very unusual fashion.
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Videodrome (1983)
CRITICS OF "Videodrome (1983)"
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TV Guide
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June 06, 2007

David Cronenberg's most visionary and audacious film up to the time of its making, Videodrome is a fascinating rumination on humanity, technology, entertainment, sex, and politics that is virtually incomprehensible on first viewing.
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FEARnet
Resource

January 09, 2011

There's little denying that Cronenberg was way ahead of his time with much of Videodrome.
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Chicago Reader
Resource

June 06, 2007

Never coherent and frequently pretentious, the film remains an audacious attempt to place obsessive personal images before a popular audience -- a kind of Kenneth Anger version of Star Wars.
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Ozus' World Movie Reviews
Resource

March 03, 2007

Veers from being risible to sinister as it explores how viewers are brainwashed by TV.
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Time Out
Resource

January 26, 2006

There are distinct signs of strain in the plot convolutions, not least in the spectator's loss of faith over indiscriminate and cheating use of hallucination; what certainly survives is Cronenberg's wholesale disgust with the world in general.
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Arkansas Democrat-Gazette
Resource

January 16, 2011

...an intriguing, deeply interesting film that over the course of almost three decades has acquired a prescient quality, but it's also schlock; a kind of cyberpunk rewrite of Network that indulges Cronenberg's taste for venereal horror.
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Washington Post
Resource

August 04, 2015

Simultaneously stupefying and boring, Videodrome is too extreme a blunder to survive exposure to a justifiably disillusioned horror-movie public.
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Seanax.com
Resource

October 30, 2008

... Videodrome is as contemporary and relevant as ever.
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New York Times

August 30, 2004

Though Videodrome finally grows grotesque and a little confused, it begins very well and sustains its cleverness for a long while.
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ESplatter
Resource

June 19, 2008

[I]t stands out as one of Cronenberg's very best.
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Variety
Resource

June 06, 2007

Film is dotted with video jargon and ideology which proves more fascinating than distancing. And Cronenberg amplifies the freaky situation with a series of stunning visual effects.
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Suite101.com
Resource

February 28, 2013

Here, Cronenberg is a provocateur only to a point - boldly striding past boundaries of comfort but getting the heebie-jeebies upon approaching true profundity. But he wasn't too far from figuring out which incisions could cut the deepest.
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