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Woodpeckers (Carpinteros)

Description
Julián finds love and a reason for living in the last place imaginable: the Dominican Republic's Najayo Prison. His romance, with fellow prisoner Yanelly, must develop through sign language and without the knowledge of dozens of guards.
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DIRECTORS OF "Woodpeckers (Carpinteros)"
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Woodpeckers (Carpinteros)
CRITICS OF "Woodpeckers (Carpinteros)"
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We Live Entertainment
Resource

January 26, 2017

The notion that male and female inmates can have relationships is utterly fascinating. It just goes to show that no matter what constraints you put on them, people will find a way.
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Film Threat
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November 15, 2017

Writer-director Jose Maria Cabral often resorts to obvious moves while his characters lack that charisma and sometimes vibration to make this incarcerated love story work beyond a faintly enjoyable, melodramatic trifle.
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New York Times
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September 14, 2017

José María Cabral's arresting drama "Woodpeckers (Carpinteros)" could be called love in a pressure cooker, but that would be understating its vivid textures and palpable vitality.
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FilmDrunk
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January 25, 2017

A lot of the time you see movie that's... compelling if not quite a triumph. That's certainly true of Carpinteros, which is interesting enough, but mostly serves as a showcase for the talents of writer/director Jose Maria Cabral and principal cast.
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Village Voice
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September 13, 2017

Moments are rousing - especially as Manaury starts to suspect their affair - but we're not given quite enough (particularly from the aloof Julián) for a memorable romance.
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AwardsCircuit.com
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December 04, 2017

Woodpeckers is a film that showcases an emerging talent.
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Chicago Reader
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October 26, 2017

[Woodpeckers] is an emotional hothouse.
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Shockya.com
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September 11, 2017

Men and women find a way to communicate without speaking in this prison movie which is probably an original for the genre.
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Variety
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January 31, 2017

While "Carpinteros" is strong enough in atmosphere and assembly, it's limited by characters who aren't developed with great complexity, and a climax that pours on a little too much credulity-stretching hyperbole.
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The Film Stage
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January 28, 2017

The film springs to life with immediacy and bursts of energy.
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San Diego Reader
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September 22, 2017

Cabral's depiction of prison society feels measured and just: there is no pretending that it isn't awful, but nor is there a denial of basic human feeling.
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Hollywood Reporter
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January 24, 2017

Raw, intriguing and and energetic despite its flaws ...
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