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Yvonne De Carlo

Yvonne De Carlo

Birthday: 1 September 1922, Vancouver, British Columbia, Canada
Birth Name: Margaret Yvonne Middleton
Height: 163 cm

Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922 in Vancouver, British Columbia, Canada. She was three when her father abandoned the family. Her mother turned to waitressing in ...Show More

Yvonne De Carlo
[who wasn't very fond of Arabian Nights-type of movies, the ones she appeared in] But I was amazed a Show more [who wasn't very fond of Arabian Nights-type of movies, the ones she appeared in] But I was amazed at how much the people over there like those pictures. I talked to many natives, cab drivers, hairdressers, hotel clerks, who said they had seen Song of Scheherazade (1947) four and five times. And they seemed to have liked Casbah (1948), too, although I don't know why. Everytime I play a concert, someone would yell, "Sing something from Casbah." Hide
[on how Cecil B. DeMille picked her for the role of Sephora in The Ten Commandments (1956)] I had do Show more [on how Cecil B. DeMille picked her for the role of Sephora in The Ten Commandments (1956)] I had done a picture at Metro titled Sombrero (1953) which wasn't too much of a hit. But I had portrayed a saintly type of woman similar to what DeMille had in mind for Sephora. He saw the picture, was very much impressed, and promptly said: "You're it.". Hide
[when she was playing several concerts in the United States, including the singing and dancing] It w Show more [when she was playing several concerts in the United States, including the singing and dancing] It would have happened to any film performer playing there. At every performance, there were between 150 and 200 civilian and military policemen to hold back the crowds. The hall would hold 1,500 people, but always the side doors would be pushed open and many more would stand in the aisles. Hide
I'd always wanted to work in a DeMille picture. I set my mind once on getting a part in The Story of Show more I'd always wanted to work in a DeMille picture. I set my mind once on getting a part in The Story of Dr. Wassell (1944), but Carol Thurston beat me out. My heart was broken, but in the light of events, it was just as well. The part didn't do very much for Carol and it probably wouldn't have done any more for me. It also taught me not to try too hard for any definite role! It's better to take things as they come. The role of Sephora fell into my lap. I guess that's the best way for things to happen. Hide
[when asked in 1972 about her affair with Howard Hughes, before he turned into a legendary recluse] Show more [when asked in 1972 about her affair with Howard Hughes, before he turned into a legendary recluse] Howard taught me how to land a plane and how to take off. But he never taught me anything about flying in between. He thought that I had learned the difficult parts, and that was enough. Hide
[who said in 1964 about playing the second vampire mother on television] They told me to play her ju Show more [who said in 1964 about playing the second vampire mother on television] They told me to play her just like Donna Reed. That sounded strange to me until I tried it. Now it works. She acts just like any housewife. The difference is in her approach to things, as when she tells her little child to go to bed, "And don't forget to close your lid." The makeup turned out to her satisfaction. She wears floor-length black hair - gray-streaked with a widow's peak, of course. Her complexion is a faint green, but it shows up as dead white on the screen. She was pleased when some young visitors to the set commented how glamorous she looked. Hide
Men, no matter what their promises, rarely leave their spouses... the louses. Men, no matter what their promises, rarely leave their spouses... the louses.
[when asked in 1945, "Who else is beautiful, like you, in Hollywood? Really stunning?"] That's a hec Show more [when asked in 1945, "Who else is beautiful, like you, in Hollywood? Really stunning?"] That's a heck of a question to ask a lady! But if you insist - Merle Oberon and Hedy Lamarr. Hide
[on The Munsters (1964)] It meant security. It gave me a new, young audience I wouldn't have had oth Show more [on The Munsters (1964)] It meant security. It gave me a new, young audience I wouldn't have had otherwise. It made me "hot" again, which I wasn't for a while. Hide
Yvonne is my middle name, and De Carlo was my mother's maiden name. I changed it because, well, I ju Show more Yvonne is my middle name, and De Carlo was my mother's maiden name. I changed it because, well, I just wasn't the June Allyson type. It's not Spanish, it's Sicilian, honey. Hide
[when she befell for the character Lily Munster she named because she slept with arms folded coffin- Show more [when she befell for the character Lily Munster she named because she slept with arms folded coffin-style, and a lily on her chest] I had misgivings when I was told about the role. After all, I didn't want to destroy whatever image I had established. So I asked the makeup man what the makeup was supposed to be. Hide
[on Howard Hughes's romance, after watching Salome Where She Danced (1945)] A man came over... he sa Show more [on Howard Hughes's romance, after watching Salome Where She Danced (1945)] A man came over... he said "Mr. Hughes would like to meet you.". Well, I was not too much aware of Mr. Hughes at the time... who he was or anything. So I said, "Oh, yes, fine!". And so, I looked and thought, "Wow, this would be a terrific boyfriend for my aunt.". Hide
[when asked in 1949 about Jock Mahoney's fame] What fame is he talking about? The only fame he has h Show more [when asked in 1949 about Jock Mahoney's fame] What fame is he talking about? The only fame he has had is what he got by being seen with me! Hide
[on writing her own autobiography] If I could, I'd change a lot of things because I'm not proud of e Show more [on writing her own autobiography] If I could, I'd change a lot of things because I'm not proud of everything I've done in my life. But to those people who helped me, and there were a lot, I say, thank you. They're the reason I wrote this book. Hide
I was on cloud nine all the time. After I made my hit in Salome Where She Danced (1945), Universal s Show more I was on cloud nine all the time. After I made my hit in Salome Where She Danced (1945), Universal sent me to New York so I could learn to be a proper movie star. Hide
Perhaps the actor is not the best judge of what he should do. He only knows what he wants to do, or Show more Perhaps the actor is not the best judge of what he should do. He only knows what he wants to do, or likes to do. I feel the role of Sephora will do a lot for me. It is far different from anything I've ever played. It runs all through the picture, and at the end of it I am an old, old woman. Hide
[when worried if The Munsters (1964) was ever going to be a success] I had moments of terror and fea Show more [when worried if The Munsters (1964) was ever going to be a success] I had moments of terror and fear that my public would not understand the makeup and all that. I really wondered if it was the right thing to do. Hide
[at the premiere of The Ten Commandments (1956)] Thanks to Mr. DeMille, I can get in some Class A pi Show more [at the premiere of The Ten Commandments (1956)] Thanks to Mr. DeMille, I can get in some Class A pictures. Hide
I wear a tight, fitting gray dress. The kind of thing it would be nice to be buried in. A long train Show more I wear a tight, fitting gray dress. The kind of thing it would be nice to be buried in. A long train and long, bat - like things banging from the sleeves. And low cut. Hide
[at the premiere of The Ten Commandments (1956)] There were a lot of old, old opinions against me in Show more [at the premiere of The Ten Commandments (1956)] There were a lot of old, old opinions against me in Hollywood which Mr. DeMille has changed. Hide
[upon her entrance in Salome Where She Danced (1945), where she danced] I came through these beaded Show more [upon her entrance in Salome Where She Danced (1945), where she danced] I came through these beaded curtains, wearing a Japanese kimono and a Japanese headpiece, and then performed a Siamese dance. Nobody seemed to know quite why. Hide
[who said in 1963 about doing guest shots] Everybody has just been marvelous. Particularly because n Show more [who said in 1963 about doing guest shots] Everybody has just been marvelous. Particularly because no one has suggested they were helping, but that I was right for the parts. Hide
[who told the media in 1971 about her stars, if she was really nervous about residing in New York Ci Show more [who told the media in 1971 about her stars, if she was really nervous about residing in New York City] I'm from Hollywood, I'm too dumb to be nervous about New York. Hide
I was named Margaret Yvonne. Margaret because my mother was very fond of one of the derivatives of t Show more I was named Margaret Yvonne. Margaret because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy and I suppose she wanted a Baby Peggy of her own. Hide
I look terrible as a blonde. I once put on a Brunhilde wig at the studio and not one cameraman gave Show more I look terrible as a blonde. I once put on a Brunhilde wig at the studio and not one cameraman gave me a second look. I was terribly offended. Hide
[in 1965] I guess I lead a double life, and I must admit I'm happy with both. [in 1965] I guess I lead a double life, and I must admit I'm happy with both.
Yvonne De Carlo's FILMOGRAPHY
as Actor (88)
Yvonne De Carlo Yvonne De Carlo'S roles
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