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As Good As It Gets

Description
The film follows story of Melvin Udall, a New York compulsive writer when he is forced to take care of the dog of his neighbor, Simon who is a gay artist. Melvin also has a difficult relationship with Carol, a single mom waitress. The friendship between three people starts to be built up when they go on a weekend trip together to Baltimore.  
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CREATORS OF "As Good As It Gets"
As Good As It Gets
CRITICS OF "As Good As It Gets"
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EmanuelLevy.Com
Resource

February 24, 2006

Both funny and sad, the comedy was in the vein of Brooks' Terms of Endearment, except it was more eccentric and nuttier and in moments genuinely touching due to strong chemistry between Jack Nicholson and Helen Hunt.
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TheMovieReport.com
Resource

March 29, 2009

The greatest pleasures come from the acting.
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Globe and Mail
Resource

April 12, 2002

Romance comedies definitely come better than this, although perhaps not lately.
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Entertainment Weekly
Resource

February 14, 2001

It's fun to watch Jack Nicholson draw on great reservoirs of bile to play a mean SOB with an obsessive-compulsive disorder.
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Common Sense Media

January 02, 2011

Funny, but not a light comedy for youngsters.
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Variety

July 02, 2008

A sporadically funny romantic comedy with all the dramatic plausibility and tonal consistency of a TV variety show.
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TV Guide
Resource

September 03, 2008

The movie's too long, and the direction is sometimes slack -- but the script is crammed with withering ripostes, ably delivered by Nicholson and Hunt.
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Los Angeles Times
Resource

February 14, 2001

It's a mark of how magically written, directed and acted As Good as It Gets is that we end up loving this film despite knowing how haphazard, scattershot and almost indefinable its charm is.
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Dark Horizons

December 30, 2006

Not only one of the best romantic comedies of the year, but one of the best films in ages.
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Time Out
Resource

June 24, 2006

The trouble lies in the rambling narrative, Brooks' cautious direction and the cosy tone which renders the whole thing reminiscent of an extended sitcom.
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The New Republic

January 01, 2000

Nicholson struggles for the core of the man but never gets it; so, in most scenes, he resorts to working his face, with grimaces and sneering smiles and lip-pursings in place of acting.
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