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Gaslight

Description
After the death of her famous opera-singing aunt, Paula is sent to study in Italy to become a great opera singer as well. While there, she falls in love with the charming Gregory Anton. The two return to London, and Paula begins to notice strange goings-on: missing pictures, strange footsteps in the night and gaslights that dim without being touched. As she fights to retain her sanity, her new husband's intentions come into question.
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Gaslight
CRITICS OF "Gaslight"
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Common Sense Media

December 24, 2010

Brilliant classic of mind-game suspense.
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Total Film
Resource

February 04, 2014

George Cukor conjures up an oppressive atmosphere... But it's not quite enough to cover up the script's yawning gaps in logic.
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Variety
Resource

May 20, 2008

Patrick Hamilton's London stage melodrama, is given an exciting screen treatment by Arthur Hornblow Jr's excellent production starring Charles Boyer, Ingrid Bergman and Joseph Cotten.
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Dispatch-Tribune Newspapers

December 21, 2006

Classic drama-horror with put upon Bergman and suavely evil Boyer.
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New York Times

March 25, 2006

Prepare yourselves rather for a lengthy and restless stretch on tenterhooks.
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Radio Times
Resource

February 04, 2014

It's a bit dated now, but still has much to offer, notably George Cukor's intelligent direction.
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Hollywood Reporter
Resource

May 04, 2017

Direction by George Cukor is ever a display of fine craftsmanship. He utilizes small mosaics of sharp characterization in building to his climax and works in each facet faultlessly. This is the job for which Cukor admirers have been waiting.
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TV Guide
Resource

February 04, 2014

Boyer nearly steals the picture, aided and abetted by the stunning debut of Angela Lansbury as a hardbitten servant -- only 18, she grabbed the role and chewed it to bits.
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ReelViews
Resource

January 01, 2000

Beautifully filmed in a gloomy, atmospheric black-and-white, Gaslight exhibits all the classic visual elements of '40s film noir.
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LarsenOnFilm
Resource

July 30, 2012

Overwrought to contemporary eyes, perhaps, but still troubling and, in its own way, powerful.
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Chicago Reader
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February 04, 2014

This 1944 film is one of the few psychological thrillers that is genuinely psychological, depending on subtle clues -- a gesture, an intonation -- to thought and character.
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Cinema-stache
Resource

March 15, 2017

We rely on the actors and the script to convey the mood, and director George Cukor matched no less a figure than Alfred Hitchcock with the results.
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