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Utøya: July 22 (Utøya 22. juli) [Sub: Eng]
Description
A great challenge and dramatic resistance by a teenage girl struggling to survive amid the many killings and devastations in Norway. The girl is trying to find her younger sister during the July 2011 mass murder in a political summer camp on the Norwegian island of Utoya, in a story that is the most dramatic in the girl's life.
A great challenge and dramatic resistance by a teenage girl struggling to survive amid the many killings and devastations in Norway. The girl is trying to find her younger sister during the July 2011 mass murder in a political summer camp on the Norwegian island of Utoya, in a story that is the most dramatic in the girl's life.
Actors:
Yngve Berven,
Vegard Kristoffersen,
Belinda Sørensen,
Tamanna Agnihotri,
Daniel Sang Tran,
Sorosh Sadat,
Solveig Koløen Birkeland

Yngve Berven

Vegard Kristoffersen

Belinda Sørensen

Tamanna Agnihotri

Daniel Sang Tran

Sorosh Sadat
March 6, 1997

Solveig Koløen Birkeland
Director:
Erik Poppe
Country:
Norway
Keywords:
#Aleksander Holmen #Andrea Berntzen #Solveig Koløen Birkeland #Utøya 22. juli #Utøya: July 22
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![Utøya: July 22 (Utøya 22. juli) [Sub: Eng]](/dist/image/player/criticsNav.png)
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October 26, 2018
An uncomfortable watch, without a clear moral compass.
October 29, 2018
By focusing on the victims, Poppe allows the audience to empathise with them whilst reducing the murderer to just one brief silhouette.
February 20, 2018
"U - July 22" is designed to be as immersive as it is exhausting, and largely succeeds ...
October 26, 2018
Shot on hand-held camera, strong on urgency and terror, the film is a tour de force though it flags slightly in the middle, It has your heart pounding along with the breathless fugitives'.
November 27, 2018
There's no stronger argument against guns than the image of a child dead besides her phone - which rings with the calls of a mother that doesn't know her daughter can't answer anymore. [Full review in Portuguese]
October 29, 2018
While visceral in its depiction of the horror that day, it is let down by trite dialogue and one frankly cringeworthy scene.
February 20, 2018
"U - July 22" cuts through so much of the contemporary cant around gun violence, around white nationalism, around xenophobia, around the politicization of historical tragedy.
October 29, 2018
The characters in the film are fictionalised but based on the accounts of real survivors; fine to protect their identities, but dubious to deliberately twist the narrative to create additional sympathy.
October 31, 2018
It's so superbly done, you're unlikely ever to want to watch it again.
Irish Times
October 26, 2018
It's a grim, startling, and immersive experience, but without the historical rigour of Paul Greengrass's Bloody Sunday or the comforting heroics of United 93.
February 20, 2018
Fortunately, the gimmick pays off more often than not.
October 29, 2018
Emotionally more powerful than Paul Greengrass's wider-ranging July 22 but, arguably, even more pointless.