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Joan of Arcadia - Season 1

Description
A teenage girl is visited by God, disguised as everyday people, and is given assignments and tasks that eventually have a positive outcome on people's lives.
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Joan of Arcadia - Season 1
CRITICS OF "Joan of Arcadia - Season 1"
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Pittsburgh Post-Gazette
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May 03, 2019

Entertaining, thoughtful and with enough elements to appeal to virtually every member of a family, "Joan of Arcadia" is television that seems, well, heaven-sent.
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South Florida Sun-Sentinel
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October 29, 2019

Tamblyn in the title role is a great kid and, with veterans Mantegna and Steenburgen as her parents, she doesn't have to carry the show.
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USA Today
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November 12, 2019

It has the most intriguing premise...by getting the divine right, Joan lays claim to being the year's best.
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Common Sense Media
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November 21, 2018

This show brings up the big questions -- who is God? What is our obligation to others? How do we know God's will? And it does all this in a surprisingly unpreachy and non-partisan way.
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Los Angeles Times
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November 12, 2019

The real miracle here is how deftly the show avoids the soggy cliches of redemption so many of its forerunners have embraced.
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People Magazine
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November 11, 2019

Joe Mantegna and Mary Steenburgen are fine as Joan's parents, but the series shouldn't go out of its way to play up the dad's role as small-city police chief. Keep the emphasis on God's plan.
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Orlando Sentinel
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November 21, 2018

If the series succeeds, as many impressed TV critics hope, it could be because the chosen Joan displays the right attitude.
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Deseret News (Salt Lake City)
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October 29, 2019

It's oddly appealing, although whether the premise holds up remains to be seen.
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Chicago Tribune
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November 12, 2019

It's all brought home with realism in the family relations and humor.
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Baltimore Sun
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October 29, 2019

[Has] a hard edge and a savvy sense of humor that keeps the drama from ever feeling saccharine or sappy.
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Slate
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November 20, 2018

It's better, darker, more satisfyingly indirect and consciously architected than either of its overtly spiritualized predecessors.
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New York Times
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November 11, 2019

An odd and intriguing look at crime scenes, forensic labs and interrogation rooms as a backdrop to the family crises and growing pains of an unhappy teenage girl.
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