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Mildred Pierce
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Mildred Pierce

Description
When Mildred Pierce's wealthy husband leaves her for another woman, Mildred decides to raise her two daughters on her own. Despite Mildred's financial successes in the restaurant business, her oldest daughter, Veda, resents her mother for degrading their social status. In the midst of a police investigation after the death of her second husband, Mildred must evaluate her own freedom and her complicated relationship with her daughter.
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Mildred Pierce
CRITICS OF "Mildred Pierce"
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Film4
Resource

October 17, 2007

An undisputed classic.
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CineVue
Resource

February 28, 2017

The tragedy of Mildred Pierce is an essential film noir.
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Chicago Reader
Resource

October 17, 2007

The archetypal Joan Crawford movie.
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Lessons of Darkness
Resource

August 07, 2006

A hearty genre pic fraught with tense social/sexual anxieties.
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Variety
Resource

October 17, 2007

A class feature, showmanly produced by Jerry Wald and tellingly directed by Michael Curtiz.
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Seanax.com
Resource

March 16, 2017

You don't think of Michael Curtiz, the great house director of Warner Bros. spectacles and prestige pictures, as one of the great noir directors but the opening twenty minutes or so is a master class in film noir directing...
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The New Republic
Resource

August 31, 2012

The production, mainly because of Michael Curtiz's direction, is unimaginative and badly hoked-up.
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Laramie Movie Scope
Resource

May 20, 2013

Considered a film noir classic, it is more of a soap opera, despite the fact that the story revolves around a murder mystery. It is a story which artfully combines cynicism and sentimentality.
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Time Out
Resource

June 24, 2006

The film is a chilling demonstration of the fact that, in a patriarchal society, when a woman steps outside the home the end result may be disastrous.
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EmanuelLevy.Com
Resource

March 25, 2009

Joan Crawford gives one of her most iconic (Oscar-winning) performances in Michael Curtiz's quintessential film noir and woman's picture of the 1940s.
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TIME Magazine
Resource

July 25, 2011

All this is good melodrama and fair entertainment, but it is much closer to the waltz-time schmalz of Kathleen Norris than to the fox-trot brass of James M. Cain.
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New York Times
Resource

March 25, 2006

Joan Crawford is playing a most troubled lady, and giving a sincere and generally effective characterization of same.
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